We don’t want you to think hard about workarounds or whether a tool is applicable.
This is where all the new tools come in: they just do the job for you. Simple things like geometry operations that work perfectly fine on flat images will fail you in 360 VR video. Isn’t it good enough to project existing effects and transitions in 360? Turns out you need to think differently when producing 360 VR video none of the traditional tools will serve you well as they’re not meant to be projected into a sphere. Why do we even need new tools for VR you might ask.
#Frame io extension for premiere pro#
What’s the story behind the new Immersive Effects and Transitions in Premiere Pro CC 2018?
#Frame io extension for premiere professional#
There’s also a professional toolset for working with VR footage in After Effects, which complements the Premiere Pro editing experience.
We decided to up the game further by incorporating a broad range of Immersive Effects and Transitions into Premiere Pro. Premiere Pro has been a leading product for 360 VR video editing for several years already. How does Premiere Pro compare to the market in terms of offering a native, end-to-end 360 VR workflow? We have boots on the ground working with experienced assistant and craft editors, and that’s why we’re involved in some of the most demanding productions, such as 6 Below, Only the Brave and Mindhunter to date, including 4K and 6K workflows. This is where we’ve seen a lot of growth and will continue to engage. Working with these editors helped us grow the product for Hollywood-level work. We’re seeing success with editors working on long-form content, resulting in lots of amazing documentaries and feature films, many of which have been presented at film festivals such as Sundance. There has been a lot of recent talk about Adobe targeting Hollywood. In your own words, what does this mean? These tools basically allow you to “punch above your weight,” and they’re a lot of fun, too. The great range of Motion Graphics Templates available from Adobe Stock provide high quality motion graphics and titles for a much broader range of our customers. Who has time to be deeply familiar with absolutely every aspect in all these areas? Just like the Essential Sound panel and the Lumetri Color panel deliver great sounding and great looking content, the new Essential Graphics panel can produce professional motion graphics with an approachable workflow. Freeing up some time for a creative break over coffee isn’t so bad either.Īnother important challenge is professional output across the board, including sound, color, and graphics. These are minutes you can invest in one more round of reviews, extra finesse for your trimming, or a final pass on your Lumetri color work. Something as simple as closing multiple gaps at once can save a couple minutes everyday. We keep investing in small but meaningful changes to the product. Time is precious! Creating the best cut you possibly can while saving time along the way remains the biggest challenge for most video creators these days. What do you think is the biggest challenge facing video creators? How are the new features in Premiere Pro CC 2018 helping video creators overcome that challenge? Back then I worked with new Adobe teammates to transfer the Speedgrade technology to the Adobe video products, while keeping an eye on great discoverability and usability of the all new Lumetri interface.Īfter that, I worked on several different initiatives ranging from Creative Cloud Services to classic desktop products such as Media Encoder. I used to work for IRIDAS as the COO up until 2011 when the core technology from its flagship product, SpeedGrade, was acquired by Adobe. What were you doing before coming to Adobe?
These customer interactions significantly drive the Adobe agenda. Together with my fantastic colleagues from marketing, engineering, program management, and several other groups at Adobe, I get to create the path towards the very next release, as well as plan the next couple of years for the product.Īnother important part, and probably the most fun aspect of my job, is understanding the actual use of the product across various user segments which I learn through our customers - big and small - throughout the year. I set the direction for Premiere Pro, Media Encoder, and Prelude. Product Manager for professional video editing.
What is your role on the Adobe Premiere Pro team and what do you like most about your job?
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